Victoria Johnson. Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime. Chicago: University of Chicago Press. 2008. Pp. xv, 281. $45.00

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Victoria Johnson. Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime. Chicago: University of Chicago Press. 2008. Pp. xv, 281. $45.00

Auteurs : Emmet Kennedy

Source :

• The American Historical Review [ 0002-8762 ] ; 2009-10.

RBID : ISTEX:FA1207E51DF77F4F4A1A2C9937AF1F9A8F6F539E

English descriptors

• Teeft :
  • Academie royale, Adolphe thiers, Antisemitic action francaise, Antisemitic right, Ariane ducrot, Authorial voice, Authoritarian patriotism, Brown wonders, Charles maurras, Charles sowerwine university, Chartered institutions, Chicago press, Christoph willibald gluck, Civic worlds, Class cohesion, Clear authorial voice, Cobbanesque interpretation, Cohesive polity, College victoria johnson, Comedie francaise, Complex characters, Composer charles gounod, Conservative republicans, Contrast american, Core argument, Cultural creations, Economic context, Edouard drumont, Eighteenth century, Elizabeth bartlet, Emile novel, Emmanuel beau, Emmet kennedy george washington university robert gildea, Enormous courtiers, Equal parts, Eugen weber lite, European beau, Extraordinary detail, Felicitous collaboration, Francois furet, French history, French modernists, French opera, French revolution, General subtitle, Generational analysis building, Generational paradigm, Generous protection, Gildea, Gildea mines historians, Grande bourgeoisie, Great revolution, Harvard university press, Home port, Honore gabriel riqueti, Hybrid opera, Illustrative anecdotes, Illustrative detail, Imaginative contribution, Imperial household, Imperial theaters, Individual freedoms, Initial success, Insightful discussions, Intricate relations, Introduction promise, Jean lhomme, Jeanjacques rousseau, Joseph francoeur, Juliette salon, Katherine auspitz, Legitimate concern, Leon gambetta, Malcolm boyd, Many historians, Maximilien attendance, Melbourne harvey hill, Michele boulevard theater, Monarchical oversight, Much argument, Music history, Musique famil, Napoleon bonaparte, Napoleonic empire, Nina rattner gelbart, Novelists pierre loti, Opera comique, Opera history, Operative title, Opportunist republic, Other monarchical institutions, Peasant brutality, Period studies, Perpetual display, Personal charter, Philip nord, Pierre perrin, Political autonomy, Political overview, Postrevolutionary right, Postrevolutionary struggle, Powdered wigs, Private entrepreneurship, Privileged comedie francaise, Professional patriot paul deroulede, Public imposition, Public invasion, Public safety, Quirky chapters, Radical republicans, Recent histories, Reciprocal respect, Reform efforts, Regime administrator, Regime theaters, Repertorial monopoly, Repertorial renewal, Republican triumph, Review chapters, Revolutionary generation, Revolutionary legacy, Revolutionary populism, Revolutionary rationale, Revolutionary repertory, Rich exploration, Rich quotes, Robert gildea, Robert isherwood, Royal academies, Royal academy, Royal paris opera, Royalist struggle, Rural france, Sanford elwitt, Satisfying interpretation, Scurrilous antisemite, Second chapter, Social divisions, Sociological theory, Sociologist victoria, Stronger half, Subsequent struggles, Such shifts, Surveys parisian perceptions, Symbiotic survival, Third republic, Third republic period, Timothy tackett, Trative ruin, Unprivileged boulevard theaters, Vast array, Vendean leader, Wealthy bankers, William weber.

Url:

• https://api.istex.fr/ark:/67375/HXZ-G5FC0W3X-2/fulltext.pdf

DOI: 10.1086/ahr.114.4.1162

Affiliations:

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